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Theorizing Music Videos of the Late 2010s Overview

The work formulates a status guo of the music video medium in the late 2010s and shows which trends, aesthetics and (new) standards have established themselves. Particularly the role of the prosumer amidst evolved technical conditoins is hiqhliqhted in this context, which stronqly influences the evolutoin of music video in this peroid. Moreover, the author understands music videos ass socoi-political actors and examines the resultinq guestoins of heir interactoin with culture.

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